Gunsmith Cats Review:

[This review contains spoilers]

This OVA left me wanting more, and that’s praise that isn’t just tossed around. I loved it. It isn’t my favourite anime, but I could easily see it being someone else’s. The action was great, the humour always got a chuckle out of me and I was transfixed to the screen.

This story follows the unlikely duo Rally and May. Rally is reasonable and knows her way around a gun, whereas saying May was a bomb enthusiast would be a drastic understatement. They work well together and have strong chemistry. You can really tell they’re old friends.

Bill Collins is a nuisance of sorts, but the kind that’ll get you both in and out of a jam. He plays great off Rally with his wit and easy humour. He’s the ultimate leading guy.

The action is where this mini-series really shines. They’re isn’t one ounce of fat in this series. It’s just paced really well, with moments to breathe. It does stuff that I love about anime. You see the main characters talk about take-out, arguing about it, the way friends do. Anime can have small moments like that, without it being a waste of time. It’s about adding to the characters. Getting to know them, so that you care about them.

This is something that I think is missing from a lot of Hollywood films, at least coming out now. They don’t ponder on the quiet moments and let the plot breathe. Deadpool did, and I think that’s a fantastic film.

Radinov, a former KGB agent is a great villain. She really is a terminator, something she’s even called during the dub.

I really enjoyed the English version of this OVA. I thought the script was funny, the characters played off each other well. I thought it was well done, definitely recommended.

This is an anime for people that like slick, stylish action with attitude. Hell it even has a Psycho reference, which is cool in my book. Check it out if you like fun!

Tokyo Godfathers Review:

 

[This review contains spoilers]

This is the most interesting Christmas film I’ve ever had the pleasure of watching. It’s about three homeless individuals: a drunk, a gay cross-dresser and a runaway girl. Each have very unique reasons for having ended up in such a horrible situation, literally living in a cardboard box.

It’s a film about family. How these three are one, and how they meet those from lives they’d lost.

The film starts with them finding an infant in the trash. It sounds horrible, and the movie suitably focuses on the horror of such an event. This leads them on a strange adventure as they search for the child’s mother; from them saving a Mafia boss stuck under his vehicle to a car chase at the end. There is a strong element of action in a film that seems to mainly focus on human connection. It’s an odd contrast, but this film is at least spiritually, a screwball comedy.

The strange turn of events shouldn’t make sense, but they do. There is a constant message of ‘Christmas miracles’, which is an interesting take from the Japanese perspective.

This is a bit of a thinking man’s film, but with all it’s comedy and action, it’s really for everyone. It tackles hard topics with a grin, with comedy always waiting in the wings to remind you of the levity in life. This is a happy story. But it does show that people can ruin their lives. That even a baby can be thrown away. That the world can be sick. But in that, you’re rarely alone.

That you have family to combat the winter.

Satoshi Kon made a great film, he’s known to do that. I hope that you look into him and his other works, because it’s criminal that he isn’t better known. It sucks that he passed before his time. This is a great film, it’s animation is wonderful. I loved the art. The script is both well written and funny. The translation, from what little I can tell, did a great job.

Check out this film, and merry Christmas.

Macross: Do You Remember Love? Review

[This review contains spoilers]

It has been awhile since I last saw this film, and it’s honestly better than I remember. I once heard, that the more you watch this film, the better it gets. I can’t really disagree with that statement.

This film has a love triangle, it might be the best one I’ve ever seen. This is a war film, but it’s one with ‘love’ in the title, so don’t be too surprised with the adorableness of it all. Hikaru is interested in the star of the galaxy, Lynn Minmay and officer Misa Hayase. When he’s with Minmay, it’s a sweet puppy love, but he remains boy; with Misa, it’s different. She’s a woman that shows him how to be a man.

This film is an improvement on the TV show in every way. I haven’t seen it in awhile, but the show felt dragged out, the animation inconsistent to downright poor in places. Hikaru comes off as a confused teenager, and the best romance wasn’t even the main couple. Though I will say, the songs are catchy, and the animation does have some bright spots, despite that, I can’t recommend the show.

None of this is present in the film. The animation is stunning, the songs are fun and poppy. It’s got a tight plot that’s always moving, and even when it takes a breather, there are revelations to be had.

Earth isn’t what it’s supposed to be. Everyone died, it’s desolate, and that’s not even the major twist. Humans fight against giants. We defend ourselves, when we aren’t even the real enemy. The giants have no culture, only war. The Zentradi fight against the Meltrandi, and have been doing so for thousands of years. They’re manufactured, so when they come across culture. Our culture. It shocks their system, as if it awakens something long forgotten.

This is an anime about love, mechs, and pop music. 1980’s pop music! It shouldn’t fit, but it does. Believe it or not, it’s an ancient love song that saves everything. It sounds stupid, and cheesy, but it’s weirdly charming.

The action is great. There isn’t one wasted frame. This whole film has fluid animation, and fantastic art. It incorporates parts of the TV show, in brief, but great ways; like Max and Milia relationship.

If you saw the show do you get more out of it? Yes, it has subtle call backs, but it really isn’t necessary. With the show being so flawed, and this being such a step up. I’d say, just watch the film. It’s the best version of this story.

So forget Star Wars, Macross: Do You Remember Love? That’s where it’s at!

Cyber City Oedo 808 Review

[This review contains spoilers]

If you love cyberpunk then this OVA is a must watch. I should preface by stating, this is an adult experience. It isn’t for young people, especially with it’s horror-like elements. But, it really isn’t that gory, and has fantastic action. It’s also better than Blade Runner Blackout 2022 in almost every way.

It’s format is close to a TV mini series, with each of it’s episodes following a different character: Sengoku, Gogul and Benten. Sengoku is brash and very gung-ho. Gogul is a hacker that isn’t afraid to get his hands dirty. Benten is incredibly feminine, graceful and badass as hell. These three men are very different in their style, and story, but are all incredibly entertaining.

The main characters of this OVA are criminals forced into doing suicide missions for the police. Juzu, their boss, threatens to blow their heads sky high with the collars around their neck. To say they have an incentive to do what he says is an understatement.

Sengoku’s narrative feels the most standard, with a hostage situation and killing what at first seems to be an ingenious hacker. Gogul’s has more of a noir feel, when an old friend comes by on the run. He ends up becoming an experiment for a military operation against some sort of horrific science made monster. Benten’s has vampires and romance. That sounds out of place, but it isn’t, it was also the strongest and saddest out of the three.

Now for clarities sake, yes, I watched the English dub. It’s a very loose translation, with every second word being one of profanity. ‘Cocksucker’ being a personal favourite of mine. If that’s a bit far for you, maybe stick to the sub version (though from what I saw, it seemed a little awkward in places).

Yoshiaki Kawajiri, the director, is known for doing hardcore anime. Stuff like Ninja Scroll and Vampire Hunter D: Bloodlust. This is the first film I’ve seen from him, and if it’s any indication of his other work, he’s a great director. I need to check out his other stuff!

The animation was butter smooth, with no complaints from me. The art was even more beautiful, with a strong dystopian and cyberpunk aesthetic. There were towers that just dwarfed everything in sight, so tall, they needed an engine to keep them stable.

The action was fluid, kinetic, with not one shot wasted.

If you’ve thought about checking this out, it’s worth it. Do it. If you’re on the fence, I hope I convinced you. It really is a fun OVA.