Yakuza 0 (First Impressions):

[This first impression contains spoilers]

I played about two hours of this game today. It was wacky and over the top in every way you’d expect of a Japanese melodrama. Yet, its core it had something I wasn’t expecting, a mafia story.

I haven’t played heaps of the game, in fact, I’ve barely scratched the surface. Yet the game very proudly tells me spraying stuff in people’s face while brawling somehow ‘sobers’ them up. Karaoke is a real rhythm mini-game. The combat is bombastic and fun. In fact, the combat in someways feel like a rhythm game of their own.

The voice acting, so far, is really good. It has just the right amount of dramatic yelling, filled with a good amount of pauses.

So far, I’m intrigued. Awesome!

Advertisements

God of War: The Throwing Axe Simulator

[This review contains spoilers]

When I first started the game, I thought it was perfect. That feeling carried for the first 5 or so hours before cracks started to show. Enemies soon lost their initial feeling of variety, the word opens up, which can break the pacing of the game and the over the shoulder camera can get in the way, making you unable to readily see where attacks are coming from.

Yet that same camera provided the game with such a feeling of immersion, in someways it was worth the issues of combat, for just the feeling of intimacy that it provided to the game.

I really enjoyed the story, a man trying to atone and escape his sins. Trying to raise a son, and causing his illness, by denying the truth to him. I thought for the most part, it was very well done. Except for when ‘Boy’, also known as Atreus, starts to think he’s better than everyone else because he’s a God. I found it to be a moment of tonal whiplash that came out of nowhere, though its resolution was satisfactory. Why did he begin acting like that to begin with? It was rather out of personality.

The mythology of the world truly is what pulls you in, with Kratos interacting with these foreign Gods with a certain disdain. Mirir is truly a highlight, explaining the world around you in a truly organic way.

Kratos’ relationship with his son is also a strong aspect, he obviously loves his son, but doesn’t know how to express it. It’s touching watching him learn how to truly be a father. Also, with his wife’s death hanging over both their heads, it’s touching watching them both mourn her.

The gameplay is also fun. To me this game has good combat, but it can be repetitive. Despite that, it’s satisfying upgrading your character and son. Becoming stronger is noticeable and a welcome aspect to the game.

An easy criticism would be to say God of War is a ‘throwing axe simulator, also known as the land of invisible walls’. Yet that’s be simplifying it. Yes, a lot of the combat can just be throwing the axe, yes, the invisible walls can be immersion breaking, but these are small complaints.

The set-pieces in this game truly are breathtaking, the art direction creates a beautiful and fully realised world. I recommend this game to anyone.

Mamma Mia! Here We Go Again (2018) Review

[This review contains spoilers]

This film is both a squeal and prequel of the original. It’s literally a cerebration Donna’s life. She died in the sequel, but the prequel is all about her journey to Greece and the three men she slept with.

I found the modern day, surrounded by Sophie’s mourning for the mother, Donna, to be rather touching. I enjoyed that life went on, she wanted to continue with her mothers hotel, she wanted to make her proud.

However her relationship with Sky is strained. He wants to remain in New York for career opportunities, she wants to stay on the island. The line is brought up, she should tell him that she loves him more than this fight.

Donna in her youth is wild, fun and is looking for something in life. Honestly, the prequel had the type of youthful energy this movie needed.

The shifts between the present and the past were a little sloppy and not always a smooth transition, but at least the film tried to be different. I’ll give it credit there.

The musical numbers are well done, and shot nicely. No as good as West Side Story, but that isn’t a fair comparison.

This film is sappy, made to make you cry and kick back and forget about life for a few hours. The acting is fine, the singing is good, with a few standout moments. It was nice listening to Abba songs that weren’t as popular.

The tensions happened naturally enough. The ending had a nice poignant moment where Sophie baptises her child, while Donna does the same for her. In that same small church on that lonely Greek island.

Yet that’s the main crux of the film, you’re never really alone. Yes, drama will happen, you won’t always get along with people. Maybe those boys you left, would come back, and decide that all three of them will be your daughters father.

You never know. Life is odd and mysterious, but there will always be people there to take care of you. That’s the overall message of the film, and I approve.

Cliffhanger (1993) Review

[Disclaimer: This review contains spoilers.]

If any film lives up to its name, it’s this one. I can’t count the times people were literally hanging from cliffs, falling from cliffs, the tension from clinging to cliffs. There are a lot of cliffs in this movie.

I actually quite enjoyed this movie, it had me on edge.

Sylvester Stallone plays Gabe Walker, a man suffering from PTSD after a rescue went wrong. Later an eight month subtitle comes on screen, and in that same day he’s been tricked into helping international thieves. It’s either the money or his life.

Money that they lost, you guessed it, on a mountain, near many, many, cliffs.

The action surrounding this set piece was really good, and I did quite like the special effects.

Yet this film isn’t really what the trailer implies. It isn’t a non-stop action film, it’s much slower and deliberate. It’s a tension filled movie between some gun wielding maniacs and a group of rangers. There is some suspension of disbelief in this movie, you have to buy that Gabe has perfect memory and knows exactly where every case of money is.

That he can outsmart this world class villain. That he can not only struggle against, but survives the odds multiple times. That everyone dies, but our main heroes, and a woman that might as well be a damsel in distress.

Now, don’t get me wrong. I liked this film, I thought it was good, but don’t go into it expecting anything more than a beautifully shot, silly, thriller.

Demolition Man (1993) Review

[This review contains spoilers]

Fun is the definition of this film.

If you want cheesy one liners, a dumb plot, silliness with every breath. Then this is the film for you. It was exactly what I wanted from it.

Hell I even got more. It was surprisingly prescient, I mean, it obviously ripped off better Sci-Fi, with implants and the type of fascism that it entails. I liked that it mentioned thought provoking things like that. I mean there were people that were known as the ‘leftovers’ that lived underground. They resisted those that were both metaphorically and literally above them.

I loved that it wasn’t afraid to even mention how a utopia of peace, can be twisted.

Please keep in mind, this film isn’t deep. There isn’t a problem in this film that can’t be punched better, yet it is deceptively complex.

Is it okay to have peace when it’s against the law to have salt, or to swear? Where words like fuck are banned?

Where people make up dumb words to ‘curse’ appropriately within the law?

The underground people are literally starving, because they choose not to be apart of the ‘utopia’, but as a result have to fight for food. There is a social commentary there. Is freedom worth it?

Again, the film doesn’t ask too many hard questions, but the context of the film’s setting is surprisingly interesting and comedic.

The main character John Spartan (a great name) is played wonderfully straight by Sylvester Stallone. Yet Wesley Snipes is the real star of the film, he has the best delivery of perfectly cheesy dialogue. He added so much to what could’ve been a boring villain. He was charismatic, goofy, and just plain evil.

I mean, he stole guns from a museum.

If that doesn’t explain what kind of film this is, then this film definitely isn’t for you.